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Homer

Painting the Impossible: Gone with the Wind – land and sea

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Is it really futile and impossible to try to paint the wind? Here’s a selection of evidence, drawn from landscapes and marines.

March 25, 2017 General, Painting

Landscapes of the Ancients: Samuel Palmer, Rome and Wales

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He started topographic paintings when he returned to London, and during his extended working honeymoon in Italy.

January 25, 2017 General, Painting

Highlights of the painting articles of 2016

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A look back at some of the series and some surprises which you might have missed over the last year.

December 31, 2016 General, Life, Painting

Brief Candles: Richard Parkes Bonington, part 2

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His visit to Italy resulted in some of the finest paintings of Venice, several completed shortly before his untimely death.

April 4, 2016 General, Painting

The Story in Paintings: Ingres’ Classics

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The last of the great classical narrative painters, his huge canvases explored lesser-known tales from Greece, Rome, and Scotland.

March 16, 2016 General, Painting

Winslow Homer in Cullercoats: 7 Missing months

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Why did Winslow Homer apparently paint so few watercolours in 1882?

March 7, 2016 General, Painting

Winslow Homer in Cullercoats: 6 The bigger picture

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Putting some of Homer’s best watercolours together to tell the story of the fisherfolk of Cullercoats – the last in this series.

March 2, 2016 General, Painting

Winslow Homer in Cullercoats: 5 Puzzles and achievements

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Initial reception to his paintings from Cullercoats was lukewarm at best, and most critics were dismissive.

March 1, 2016 General, Painting

Winslow Homer in Cullercoats: 4 Boats and the beach

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When the boats came in – now an English expression – the women started the arduous task of transferring the catch from boat to shore.

February 28, 2016 General, Language, Painting

Winslow Homer in Cullercoats: 3 Women at work

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Here are some glorious paintings of the work which the fishwives had to undertake when their menfolk were at sea.

February 27, 2016 General, Painting

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