At the end of the fourth canto, Rinaldo was in Scotland, travelling through a wood with an esquire […]
history of painting
The paintings of Johannes Vermeer (1632–1675) were quickly forgotten after his death, and his art fell into obscurity. […]
Bradamante continues her quest to find and release her lover from the castle of steel. And Rinaldo ends up in Scotland, where he starts an adventure.
Rembrandt’s late paintings created visual effects as much by surface textures, as by form or colour; his secret lies in how he was able to do this in his paint.
Examples from William Blake, Caspar David Friedrich, Delacroix, and an enigmatic painting of Wales.
The use of symbols in paintings from the Renaissance to the start of the nineteenth century, with van Eyck, Rubens, Girodet, and others.
Pissarro started a realist, became Impressionist, then Neo-Impressionist, before returning to human landscapes. Sisley ploughed the Impressionist furrow all the way.
Rinaldo is chasing Angelica, whom he is helplessly in love with, but she hates him, and wants to escape from France, as Charlemagne is preparing for the siege of Paris.
Under the patronage of the d’Estes, Ariosto drew on Carolingian and Arthurian legend, and classical myths, to create his epic. With superb paintings to accompany.
New genres in literature gave the public a taste for different forms of narrative. Here’s a short account of the response in ‘problem pictures’ from Hunt to Collier.
The Eclectic Light Company 