Among his last paintings are six superb landscapes, painted for his pleasure. What a wonderful end to such an illustrious career.
Gainsborough
Is it really futile and impossible to try to paint the wind? Here’s a selection of evidence, drawn from landscapes and marines.
Portraits by Reynolds, Gainsborough, Kauffmann, and others show extensive brushstrokes.
His old oaks were saplings during the Middle Ages, and he was a great influence on Gainsborough, Constable, and others.
He intended to be a landscape painter, and was co-founder of the British school of landscape painting. A major influence of Constable and others.
A chronological index to articles in this series, with example paintings.
Constable may seem an unlikely revolutionary, but his landscapes and their trees inspired the Barbizon School and Impressionists.
A brief glance through the history of painting trees in the landscape, from Rubens and Poussin to van Gogh and Pissarro.
The period 1700 to 1850 saw the introduction of the first modern pigments, such as Prussian blue and emerald green, which started to transform paintings.
Consideration of landscapes as decorative backdrops, altered visions leading to fantasy, and a summary of the series.
The Eclectic Light Company 