As a member of the Salon jury, he ensured the young Impressionists were accepted. He led the way in painting fruit trees in blossom, and a series of innovative nocturnes.
Daubigny
His increasingly sketchy landscapes in the 1850s were well received at the Salon, as he pioneered painting riverbanks from his studio boat.
Paintings of pre-Impressionist landscapes by Johan Jongkind, Camille Corot, Charles Daubigny, Eugène Boudin, and the young Claude Monet.
Paintings by Samuel Palmer, Millais, Millet, Alfred Sisley, Vincent van Gogh. Carl Larsson, Sérusier, LA Ring and others.
Yellow for harvest at the end of the dry summer. Also mixed with blues and greens, although sometimes not proving lightfast.
In seascapes with waves, and on land with the foliage of trees. Paintings by Turner, Courbet, Gainsborough, Monet, Winslow Homer and more.
Rivers, rather than their banks, have been an unusual theme in landscape painting. Examples from Daubigny’s series in northern France, the specialist Frits Thaulow, and many others.
European grey herons, seen in paintings by Aelbert Cuyp, Hans Thoma, Daubigny, Frédéric Bazille, Alfred Sisley and others.
This is the time to get out and admire the blossom on the trees, with the aid of Samuel Palmer, Millais, Millet, Sisley, and above all Vincent van Gogh.
Landscape paintings by Daubigny, Sisley, Berkos, Astrup, Pissarro, Julian Onderdonk, Granville Redmond, Théo van Rysselberghe and others.
