Tristram and Isode soon became lovers, and King Mark flew into a rage. Tristram escaped death, then became mad. After they were reconciled, Mark murdered the knight.
Brown
Loyal unto death, dogs as companions to knights, bored Venetian ladies, successful artists, royalty, nude women, and Marthe Bonnard.
Once popular in wall paintings and miniatures across Europe, these legends were revived in the nineteenth century and adopted by the Pre-Raphaelites.
A plain near Dresden, the floodplains of Silesia, Backwaters in Essex, York Harbour on the coast of Maine, the Pontic Steppe, Skagen in Denmark, and more.
From Walton-on-the-Naze in Essex, via the wooded countryside of Gainsborough and Constable, to the coast of Philip Wilson Steer.
From the tribute to a dead colleague, and a record of an important exhibition, to the downright enigmatic embedded paintings of Velázquez, Courbet and others.
Two artists painted panoramas full of miniature stories, which assembled into broad summaries of contemporary society: Frith and Ford Madox Brown.
Two new narrative themes that became distinctive in the mid-19th century were contemporary English poetry, and the legends of King Arthur.
From Rubens’ double-portrait with Isabella Brant, and Rembrandt’s with Saskia, to Paul Signac’s wife with a parasol and Ferdinand Hodler’s wife Berthe Jacques.
As the tragedy moves relentlessly to the deaths of most of its characters, paintings by William Blake, Ford Madox Brown, and Benjamin West tells its story.
