From Walton-on-the-Naze in Essex, via the wooded countryside of Gainsborough and Constable, to the coast of Philip Wilson Steer.
Brown
From the tribute to a dead colleague, and a record of an important exhibition, to the downright enigmatic embedded paintings of Velázquez, Courbet and others.
Two artists painted panoramas full of miniature stories, which assembled into broad summaries of contemporary society: Frith and Ford Madox Brown.
Two new narrative themes that became distinctive in the mid-19th century were contemporary English poetry, and the legends of King Arthur.
From Rubens’ double-portrait with Isabella Brant, and Rembrandt’s with Saskia, to Paul Signac’s wife with a parasol and Ferdinand Hodler’s wife Berthe Jacques.
As the tragedy moves relentlessly to the deaths of most of its characters, paintings by William Blake, Ford Madox Brown, and Benjamin West tells its story.
First of two parts telling the classic story of the jealousy of sisters, plots, betrayal, and the troubles of old age, with plenty of fine paintings.
If you remember one Shakespeare play well, it’s Romeo and Juliet, shown here in paintings of the balcony scene, and the couple’s tragic deaths.
Well known from language, the scarlet woman should be easy to read in paintings. But all that is scarlet isn’t who you’d expect.
Crammed into this crowded street scene in one of London’s leafy suburbs is a detailed account of the breadth and depth of contemporary Victorian society.
The Eclectic Light Company 