From Monet’s rhythmic arrays of poplar trees on the banks of the River Epte to Holder’s arrays of figures, more examples of this technique.
Bonnard
We journey on, through Thomas Cole’s classical city, to the Garden of Armida, briefly to Paradise, past the submerged city of Ys, ending up in a Surrealist vision of the Dorset coast.
Although painting and sculpture are closely allied, it’s curious to depict sculpture in painting. Examples range from early grisailles to ribald depictions of the Roman god Priapus.
Two illusions used extensively by painters for centuries before they were recognised. Glare used to accentuate brightness, and Venus for reflection in a mirror.
Paintings of the Frog Prince and variants by Marianne Stokes, Kolo Moser, and Pierre Bonnard. Medea by Sandys and Waterhouse.
Features paintings by Carl Larsson, Renoir, Mary Cassatt, Vincent van Gogh, Pierre Bonnard, Lovis Corinth, and others.
Carpets in paintings by Gérôme, his former pupil Osman Hamdi Bey, Georges Rochegrosse, Pierre Bonnard and Paul Nash.
More wonderful paintings from Pierre Bonnard, JW Waterhouse, Théo van Rysselberghe, Nikolai Astrup and others.
The vital relationship between painter and patron, donor, dealer and others. Shown in examples from Rubens, Velázquez, Brett, Renoir and Bonnard.
Loyal to their master or mistress, often to the point of self-sacrifice. Paintings by Titian, Rembrandt, Rubens, Velázquez, Courbet and Bonnard.
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