Illustrated table of contents to all the articles here describing Dante’s Divine Comedy and the great paintings and prints that accompany it.
Blake
If Inferno and Purgatory are the stick, Paradise must be the carrot – the incentive to live a pious and upright life. Shown in paintings by Blake, engravings by Doré, and others.
In which Dante passes through the realm of fixed stars, then the Primum Mobile, which is the origin of time, and finally the mind of God in the Empyrean. One last Blake too.
A succinct summary of Dante’s ascent of the mountain-island of Purgatory, with the best of the paintings from Blake to Rossetti.
Some of the finest paintings of all Dante’s work: Waterhouse, William Blake and others show the arrival of Beatrice in her chariot.
Rembrandt’s Belshazzar’s Feast, Tintoretto, William Blake, and Lawrence Alma-Tadema’s painting of Sappho each rely on words.
Until 1880, varnishing oil paintings was standard practice, but three completely different types of varnish were used. A journey through names like sandarac and colophony.
As they can’t continue ascending Purgatory after dark, Dante and Virgil rest overnight in a valley with rulers. In the morning, Dante has been carried up to the gate into Purgatory itself.
The Judaeo-Christian tradition lacks any goddess, unlike its predecessors in Mediterranean cultures. Is there an equivalent among its saints, or the Virgin Mary? An exploration in paintings.
Popular with painters during the early 1600s, copper sheets were used by Jan Brueghel the Elder, Adam Elsheimer, David Teniers the younger, William Blake, and Joseph Stella, among others.
The Eclectic Light Company 