The nineteenth century saw rising awareness of social issues, which introduced novel themes into painting. Works by Murillo, Mulready, Bastien-Lepage and others.
Category Archive: General
For once the name is accurate: it originated in the Prussian Empire around 1704, and by 1730 had established itself as a standard if not entirely reliable pigment. Watteau, Canaletto, Hogarth, Blake, Monet, and van Gogh all used it.
He specialised in history paintings of the Tudor and Stuart period, and later painted problem pictures to puzzle the viewer. He died 100 years ago today.
Two major figurative works, The Woodcutter and The Reaper, and a succession of landscapes with increasing rhythm and symmetry, and reduction to basic elements of form, colour, light.
Another six of the best, from the battle of the Lapiths and Centaurs to the assassination of Julius Caesar, from Rubens to Turner.
Six of the best, from Nessus, Deianira and Hercules to the sacrifice of Iphigeia, painted by Tiepolo, Rubens, and others.
From Constable and Turner’s views of London’s parliament ablaze, to Edvard Munch’s painting of a local manor house in flames.
From being a sub-genre of landscape painting in the Dutch Golden Age, to recording the catastrophic fire which destroyed most of Moscow when Napoleon occupied the city.
It’s not Chinese, and for centuries was ignored, as lead white was preferred. It came into use during the 19th century, and is seen in paintings by Friedrich, Cézanne, van Gogh, Klimt, and Hodler.
A long-time friend of Ferdinand Hodler, he was a fine maker of portrait prints, and documented Hodler at work in sketches.
The Eclectic Light Company 