Paintings of knights in armour from Raphael in c 1502, through Ingres’ rescue of Angelica, to Arthurian legends and the Pre-Raphaelite movement.
The fourth ‘basic plot’ is the story of voyage and return, for which we turn to Ovid’s account of this couple, and a dozen superb paintings. But does the model fit?
How well do paintings of the stories of Perseus and Theseus fit Booker’s Seven Basic Plots? As he gives these as examples of Overcoming the Monster, do his stages work?
Every 9 years, 9 of the finest young men and 9 young maidens from Athens were sent to be sacrificed to the Minotaur. Then Theseus joined them to kill the monster.
Easily confused with Artemis (Diana), her sign is the crescent moon, and her lover is Endymion, who despite sleeping forever, fathered her 50 daughters.
Una and the Redcrosse Knight, Sir Guyon or of Temperance, and Britomartis or Chastity: plot summary, main characters, and selected paintings.
Paintings by Barbara Bodichon, Anna Howitt (Watts), Rosa Brett, Anna Blunden, Joanna Boyce (Wells), and Lizzie Siddal.
Although too young to have known Rossetti or the Pre-Raphaelites, she painted wonderful allegorical and narrative works well into the 20th century, and was a successful illustrator.
Far from being the idyllic countryside, the gleaners who followed the harvesters brought a strong social message.
Sphinxes by Ingres and Moreau, Watts’ Minotaur, Blake’s Cerberus, Hieronymus Bosch, and more monsters.