From Aesculapius to Zeus, key features of each of the major male deities in classical myths, and links to individual articles here.
Waterhouse
One of the most frequently painted of the classical deities, this is out of all proportion to her tiny role in the pantheon. From Ricci to Waterhouse.
Aglaea (representing splendor), Euphrosyne (mirth), and Thalia (good cheer), who together represent the better aspects of human nature, bit got Burne-Jones into trouble.
Originally a marsh just outside the city’s walls, it came to be the heart of the city, a market, meeting place, and the political hub.
A nymph cursed by Hera to repeat the words just spoken to her, and a youth who falls in love with his own image. Together the result in some of the finest narrative paintings.
Five years into Nero’s reign as emperor, he had his mother murdered. It was all downhill from there: Rome burned, and so did many Christians.
Very much a Modern Woman, she was in London during the height of the Pre-Raphaelite movement, when she painted her masterpiece of Elaine of Astolat.
Who were the Romans, who built their city and its empire? This series looks at the history of Rome as shown in paintings, starting here with its forefather, Aeneas maybe?
Exhausted and destitute figures asleep, by Christian Krohg, Ferdinand Hodler, Sorolla, Waterhouse, and others.
Two illusions used extensively by painters for centuries before they were recognised. Glare used to accentuate brightness, and Venus for reflection in a mirror.
