With Monet’s grainstacks and fog on the River Thames, by the 20th century the effects of fog had become part of Western landscape painting.
Ury
Street scenes, wet roads, at night, café interiors, and busy railway stations in the dark – some of his best paintings.
Decidedly Post-Impressionist, his loose style and rough facture did not impress the critics at first. Painting a mixture of landscapes and scenes from the centre of Berlin, he was still looking for the right formula.
Manet’s remarkably early painting of a cyclist dates from 1871, but the Impressionists appear to have ignored the new kings of the road.
