Christian visions of Heaven or Paradise are usually less of a location than an array of figures. Examples from 1475-1916.
Tintoretto
Unfinished paintings by Leonardo da Vinci, Michelangelo, Tintoretto, Bonington, Bazille, Bastien-Lepage, Moreau and others.
Zeus, disguised as a gander, raped Nemesis, who laid Helen as an egg. She became step-sister of Castor and Polydeuces, and went on to be abducted by Paris as Aphrodite’s bribe.
Signatures written on scraps of paper, or in books, with comments, dedications in graffiti, and an apocalyptic vision of Botticelli.
Seen in more complex variants by Tintoretto and Memling, and in modern paintings by Corot and Thomas Hart Benton.
Motion can be implied against the rules we learn about how the world works. It can also be shown in billowing garments.
From the Renaissance, by convention dreams were shown as a dream view set within a framing real view. Examples by Raphael, Tintoretto and others.
Barefoot and sometimes surprising, as Christ washes the disciples’ feet, and other feet are missing altogether. Barefoot means poverty too.
Weaving turned yarn into fabric ready to make into garments. Associations include industry, passing time, fidelity, and the myth of Arachne.
Travel by sea was hazardous. Here are paintings of shipwrecks from Tintoretto to the early 19th century, as an introduction to The Tempest.
The Eclectic Light Company 