A member of the Seven & Five group, when it moved towards abstract art in 1934, she resigned to pursue her individual style.
The exhibition featured 360 collages, paintings and sculptures from 69 artists of 14 nations. It launched Surrealism in the UK.
Formed in January 1933 with the sculptor Henry Moore, it was crucial to British Surrealism and modern British art more generally.
Many of his last paintings were landscapes, made from earlier sketchbooks and studies, seen through the eye of the print-maker.
From 1907, he painted a series of mythological works, and increasingly turned to landscapes, some of which are most unusual, almost surreal.
His enigmatic paintings of interiors appear cinematic in their composition and lighting, akin to those of cinematographers of the future, not painters of the past.
Originally a portraitist in academic style, he was a Nabi in the early 1890s before developing his own simple but strange figurative paintings.
He continued with extraordinary detailed fantasies of birds and flowers, and developed drawings in silverpoint with crayon.
He developed near-Surrealist fantasies apparently inspired by Hieronymus Bosch, and the Cubist ‘Brooklyn Bridge’, his best-known work.
Some religious stories which may have had personal relevance, and conclusions to his series of Roman spectacles, and his sculpture. Finally, a joke which may have inspired the Surrealists.