More women reading, from Dante’s beloved Beatrice to Charlotte Corday, who was psyching herself up with Plutarch’s Lives before murdering Marat in his bath.
Stillman
Painstaking watercolour technique using transparent layers like glazes gives marvellous results in the Renaissance narratives.
Friend and model of Dante Gabriel Rossetti, taught to paint by Ford Madox Brown, and photographed by Julia Margaret Cameron, her paintings are truly Pre-Raphaelite.
Although too young to have known Rossetti or the Pre-Raphaelites, she painted wonderful allegorical and narrative works well into the 20th century, and was a successful illustrator.
Introduction to a series of articles looking at the work of some of the brilliant women artists who were associated with the movement.
Little painted until Courbet’s huge ‘Burial at Ornans’, most were drawn from classical mythology or history, and one showing the Hutsul people of the Ukraine.
Children playing, amateurs rehearsing, music outdoors, and Schubert himself at the piano: paintings by Manet, Degas, Thomas Eakins, Édouard Vuillard and others.
It’s ironic that the Pre-Raphaelites, who wanted to take painting back to the days before Raphael, then took up his themes.
After Rossetti’s death in 1882, Marie Spartali Stillman kept his obsession alive. Then can Odilon Redon, who also fell for the story of Beatrice.
From Böcklin and Waterhouse to Vincent van Gogh and Egon Schiele, many 19th century artists used crows as a symbol.
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