Rivers, rather than their banks, have been an unusual theme in landscape painting. Examples from Daubigny’s series in northern France, the specialist Frits Thaulow, and many others.
Signac
Paintings of the quais of Paris from Bonington in 1819, through Impressionism to the Divisionism of Signac and Maximilien Luce.
Paul Cézanne led the way in Aix-en-Provence, followed rapidly by Renoir, Signac, Cross, Luce, van Rysselberghe, and Pierre Bonnard.
From the snowy landscape of Brueghel’s Hunters to Monet’s Magpie, with Pissarro, Signac, Caillebotte and others.
Views of France, from the island of Groix in the north-west, to Saint-Tropez in the south. By Signac, Bonnard, Vallotton, van Rysselberghe, and others.
Shackles of the night, in a well, as a rope ladder how Romeo meets Juliet, trussing up a robber, or hanging John Brown, the abolitionist.
The changing colours of trees and their leaves, celebrated in paintings from Paulus Potter in 1652 to Paul Signac in 1903.
From the calm of Vernet’s Italian coast, through Heligoland, to Monet at Honfleur, and the Straits of Bosporus.
How truth is associated with a well, where Jesus spoke with a Samaritan woman, where to dispose of a rapist, and one of Paul Signac’s less successful paintings.
From Renoir in 1881 through multiple Impressonists to Monet in 1908, more views of Piazza San Marco in Venice.
The Eclectic Light Company 