Chiaroscuro paintings by Lavinia Fontana, Adam Elsheimer, Jusepe de Ribera, Artemisia Gentileschi, Gerard can Honthorst, and Georges de La Tour.
shadow
He changed the emphasis of painting to use darkness, shade and shadows. Examples include Calling of St Matthew, Conversion of St Paul, and Supper at Emmaus.
The story of Dibutades who painted the outline of her boyfriend’s shadow, leading to early struggles with the optics of cast shadows, their use as cues to depth and shape, and appearance in landscapes. Paintings of shadow play.
What time of day is it? How cast shadows can help or confound, a painting showing Donati’s comet that can be timed precisely, and difficulties with indoor paintings.
How to paint a landscape with faithful and coherent cast shadows, why most painters don’t do so, and a few get it wrong.
Leonardo da Vinci studied different types of shade and shadow, but recommended painters not to depict cast shadows in their paintings. This explains why.
Explaining shade, attached and cast shadows seen in paintings. While the first two have been generally painted faithfully, cast shadows are more complicated.
The hard road to realism: development and propagation of knowledge, how to apply it in paintings, and its benefit on visual art.
Telling a story using shadows, and the nineteenth century controversy over the colour of shadows.
From the shadowed silhouette painted by the legendary Dibutades to paintings of families involved in shadow play.
The Eclectic Light Company 