Paintings by William Blake, William Holman Hunt, Albert Edelfelt, Albin Egger-Lienz and others.
Ryder
Asphalt has been claimed to be responsible for the slow destruction and loss of many paintings, from the ‘Raft of the Medusa’ on. The evidence is tenuous.
Paintings that don’t look like they were intended to be, from Leonardo’s Last Supper, to Manet’s cut-up Execution of Emperor Maximilian.
A story of jealousy, adultery, treachery and race, which resulted in an early professional actress in a lead, and the first major lead for a black actor.
It isn’t really a pigment at all, was reportedly used by all the Masters from Titian to Delacroix, and destroys the paint layer. But it has actually been found in very few paintings.
In America, geographic isolation and growing freedom led to the craft of oil painting being smothered by artistic intent. Here are some results.
The Eclectic Light Company 