Nikolai Astrup, Lovis Corinth, Pierre Bonnard, Renoir, Alphonse Mucha, Édouard Vuillard, and others in an eclectic mixture of styles and schools.
Short summary of their history, art, and their role in the evolution of painting in the twentieth century, with copious links to articles here.
High-chroma, constructive strokes, realism typical of the mid-20th century, and ‘corn style’ using coalescent tiles of high-chroma paint – you couldn’t get further from being Nabi.
After 1895, their styles and themes diverged, with Japonisme popular, and motifs ranging from the streets of Paris to the great waves of the Brittany coast.
Never shown to the public in traditional paintings, a vital layer which goes between paint and the support. White, colour, chalk or oil.
Paul Gauguin inspired and launched the Nabis during the late 1880s at Pont-Aven. They first exhibited in 1889, and published their manifesto in 1890, by which time he had moved onto another project.
Around 1905, with his chroma increasing, he developed a new style of applying paint in patches: corn style. This dominated his paintings, given many a distinctive vibrance.
Met other Nabis when in Paris in 1888, but followed his own realist style. Excellent pastellist who retained good levels of chroma, and his paintings never lost depth.