From the Renaissance, by convention dreams were shown as a dream view set within a framing real view. Examples by Raphael, Tintoretto and others.
Ricci
The personification of the west wind, to the Greeks gentle and responsible for bringing the start of the growing season, and the abduction and rape of a nymph who became Flora.
How we got from one of the most senior gods, and a winged young man, to a chubby infant armed with a bow and arrow, let alone an unknown former saint.
From his battle with the sea monster to the deadly fight at his wedding to Andromeda, paintings by Titian, Veronese, Burne-Jones, Vallotton and others.
One of the most frequently painted of the classical deities, this is out of all proportion to her tiny role in the pantheon. From Ricci to Waterhouse.
The curious legendary origin of a now vanished temple to Aesculapius on Tiber Island in Rome, shown in paintings and engravings.
A goddess almost never painted, but her priestesses, the Vestal Virgins, were far more popular. A small selection, ending in one of Gêrome’s grandest arena paintings.
Was a primordial deity, attendant at Aphrodite’s birth, or her son by Ares/Mars? When did he get his bow and arrows? Answered in fine paintings.
Summary of the plot in the first half of Ariosto’s epic, with links to detailed accounts, and paintings by Delacroix, Rubens, Böcklin, Ingres and others.
The first caused war between centaurs and humans, in the second many were turned into stone, and the third caused the Trojan War
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