Unwittingly, and outside their manifesto, the Pre-Raphaelite Brethren developed a new British narrative painting.
PRB
A table of contents and index to all the women Pre-Raphaelite painters covered in this series. Complete with some of their finest work.
The daughter of a Jamaican slave, William Morris’s wife, three Greek cousins known as the Three Graces – all muses and models for Pre-Raphaelites.
Great Pre-Raphaelite women didn’t stand behind their partners, but in front of them, as their muses and models. Masterpieces with two stories to tell.
Five more forgotten women artists with Pre-Raphaelite style, including the prolific and brilliant Kate Bunce, whose work should be much better-known.
Paintings by Barbara Bodichon, Anna Howitt (Watts), Rosa Brett, Anna Blunden, Joanna Boyce (Wells), and Lizzie Siddal.
Paintings from 1885 onwards, looking at women from Ovid’s ‘Heroides’, his ‘Metamorphoses’, women of Troy, and this unusual time series across the canvas.
One of the most prolific and accomplished narrative painters, of the late nineteenth and early twentieth centuries in Europe and North America.
Having painted in Realist, Naturalist and Impressionist styles, from about 1893 she settled with the Pre-Raphaelite, even making egg tempera her main medium.
Very much a Modern Woman, she was in London during the height of the Pre-Raphaelite movement, when she painted her masterpiece of Elaine of Astolat.
The Eclectic Light Company 