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pigments

Pigments + technique → style: 6, results and conclusions

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The availability and use of modern pigments was a major factor in determining Impressionist painting style.

October 13, 2015 Painting

Pigments + technique → style: 5, a better method

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The methods used for a more robust analysis of palettes, which is unique and innovative.

October 12, 2015 Painting

Pigments + technique → style: 4 after 1850, Impressionists and post-Impressionists

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The nineteenth century saw the successful introduction of more new pigments than had the preceding two millenia.

October 6, 2015 Painting

Pigments + technique → style: 3 up to 1850

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The period 1700 to 1850 saw the introduction of the first modern pigments, such as Prussian blue and emerald green, which started to transform paintings.

October 1, 2015 Painting

Pigments + technique → style: 2 up to 1700

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This traces the pigments, palettes and techniques used in easel paintings from Classical times to 1700.

September 22, 2015 Painting

Pigments + technique → style: 1 introduction

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How choice from available pigments, coupled with the way of applying the paint, relate to painting style.

September 15, 2015 Painting, Technology

From pigment to painting: 7 Summary and conclusion

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Painting is about form, light, and colour. Here is a short summary of the practical points developed in the previous articles on colour.

March 29, 2015 Painting

From pigment to painting: 6 Pigments, the purpose in paint

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How pigments work, and some of their practical problems.

March 27, 2015 Painting

Cadmium blues 2 – proposals

So how should we respond to proposed European legislation to limit artists’ materials containing environmentally harmful substances, like […]

January 30, 2015 Painting

Cadmium blues

Last summer, artists across Europe were shocked at a proposal to ban the sale of artists’ paints containing […]

January 25, 2015 Painting

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