Contemporary of Géricault and Delacroix, he had an interest in mediaeval history, and was intimately involved in politics, including the accession of King Louis-Philippe to the throne in 1830, and the Greek War of Independence.
painting
Framing a landscape with a window forms a picture within a picture, and can reverse the traditional device of repoussoir.
Scenes from the early life of Christ, carefully referenced to those of the Passion to come, the Virgin Mary, and two other saintly Marys. His last major series.
Biography to the death of Darius the King of Persia, with superb paintings by Degas, Elisabetta Sirani, Altdorfer, Jan Brueghel the Elder, and more.
Paintings of eight well-known folk tales from around the world, including Sinbad the sailor, Queen Wanda, Ivan Tsarevich, William Tell, and Hiawatha.
The story of ‘The Hunchback of Notre Dame’ has become something of a modern legend. Here are some of the paintings made of its story, before it obsessed early filmmakers.
A prolific period in which he painted the life of Christ for the Scuola di San Rocco, the Gonzaga Cycle, and a smaller series of Venetian histories.
Naturalism was a phenomenon of Northern Europe, centred in Paris with Jules Bastien-Lepage as its high priest. Except here it is in the Italian island of Sicily, in the backstreets of Catania.
Between 1905 and 1916, he often painted his models in front of a mirror, and played games with their reflections.
Danaë, raped by Jupiter in the form of a shower of gold; Lucretia, whose rape resulted in the Republic of Rome; Leda, raped by Jupiter in the form of a swan. And a portrait of a Venetian senator.
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