Many of the greatest and most important European works of art are painted on walls or ceilings. Explains secco, fresco, and how they influence the result.
painting
Introduction to a series looking at different painting systems. Establishes how their key components are the support, ground, pigment, binder and diluent and explains terms.
Early paintings showing signs of what is to come: his Annunciation, portrait of Ginevra de’ Benci, and Madonna of the Carnation.
Live models for figures, landscape oil sketching in front of the motif, the sensuous nude, narratives with multiple readings, incredibly loose brushwork, and so much more than portraits.
The Second Circle of Hell, in which those whose sin was lust are blown by eternal storms. The story of Paolo and Francesca, and many wonderful paintings.
His pupils, and the pupils of those artists, included Leonardo da Vinci, Michelangelo, Raphael, Perugino, Ghirlandaio, and di Credi.
Over 550 years ago, a 14 year-old boy started his apprenticeship with the Florentine painter and sculptor Verrocchio. He was Leonardo da Vinci, and here are some of his master’s works.
Dante awakes in Limbo, the outermost part of Hell reserved for those whose only failing was that they lived before the Christian era. An opportunity for self-promotion.
In the 20th century, his style evolved from the Nabi. The sun came out, he used higher chroma, and painted many portraits.
Paintings from his student days through his active membership of the Nabis, including his superb triptych ‘Public Gardens’.
