In the first article about the Symbolist painting of Giovanni Segantini (1858–1899), I showed a selection of his […]
painting
One of the most famous, and most collected, Symbolists of the end of the nineteenth century was Giovanni […]
From early portraits of his mother, to wooded landscapes in the style of Corot. When Renoir painted alongside Sisley, Bazille and Monet.
Bradamante continues her quest to find and release her lover from the castle of steel. And Rinaldo ends up in Scotland, where he starts an adventure.
Rembrandt’s late paintings created visual effects as much by surface textures, as by form or colour; his secret lies in how he was able to do this in his paint.
Examples from William Blake, Caspar David Friedrich, Delacroix, and an enigmatic painting of Wales.
The use of symbols in paintings from the Renaissance to the start of the nineteenth century, with van Eyck, Rubens, Girodet, and others.
Pissarro started a realist, became Impressionist, then Neo-Impressionist, before returning to human landscapes. Sisley ploughed the Impressionist furrow all the way.
Continuing to paint series of human landscapes, in his final years Pissarro was highly productive. Here are views of Dieppe and Paris.
Rinaldo is chasing Angelica, whom he is helplessly in love with, but she hates him, and wants to escape from France, as Charlemagne is preparing for the siege of Paris.
The Eclectic Light Company 