More paintings by those brave enough to tackle children on their own, from William Merritt Chase and Carl Larsson to Pierre Bonnard.
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Never paint children or animals, says the rule. This tribute to artists who ignored the rule shows work by Pieter Brueghel the Elder, Goya, and others to Mary Cassatt.
More accomplished as a print-maker, his views of the beach at Berck are desolate. A good friend of Degas, he exhibited at the Salon, so dropped from the 3rd exhibition.
The art of Thomas Eakins, Gustave Caillebotte, John Singer Sargent, Harriet Backer, Toulouse-Lautrec, Edvard Munch and others were enabled by Bonnat.
In 1882, he was appointed professor, running one of its two busy teaching ateliers. Later he painted commissions for large works in public buildings.
A prodigious painter who made his name in 1869. After that he was a sought-after portraitist and a teacher at the École des Beaux-Arts in Paris.
She trained at the École des Beaux-Arts in Paris four years before it admitted women, and went on to sculpt, paint and weave tapestries.
From Nabi women climbing stepladders to gathering plums in baskets, with a visit to the garden of the Hesperides, and ending in the garden of Eden.
Not just the cereal harvest, but here paintings of the fruit harvest, from Bassano and Poussin, with grapes, figs, apples, blackberries, to Berthe Morisot.
Blocked by church doctrine, cultural shortcomings, lack of training and a preference for hiring established artists from continental Europe, narrative painting started with James Thornhill.
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