Even the boldest of artists has avoided painting abandoned babies, except in the Biblical story of Moses. Veronese, Poussin, Sirani, Moreau and more.
narrative
With newlyweds Angelica and Medoro on their way to Spain, we rejoin Astolfo, Marfisa, and others who survive a storm only to face the choice of slavery or death.
The best known scene in the story of Angelica and Medoro, as painted by Spranger, Ricci, Tiepolo and others.
One of the most extensively painted stories in the epic, here are works by Tiepolo, Lanfranco, Delacroix and others.
Paintings by Velázquez, Manet, Renoir, Sorolla, and others.
Paintings by Botticelli, William Merritt Chase, Pierre Bonnard, Paxton, and Vuillard showing the first meal of the day.
Grifone captures the imposter Martano, taking him and his lover back to Damascus. In the siege, the Christians chase of Rodomonte’s one-man terror, and get the upper hand against the Africans and Moors.
From a pen and ink drawing, to fine sketches in chalk, then into oil paint on canvas, next modelled by a sculptor in clay, and finally into a bronze bas relief.
By Pierre Bonnard, Lovis Corinth, Eleanor Fortescue-Brickdale, John Collier, Joseph Stella, and others. Truly eclectic.
After an elaborate retelling of the story of Polyphemus and Odysseus, a champion knight is replaced by a cowardly imposter and suffers mockery and rebuke.
The Eclectic Light Company 