Here’s a pre-release test version of my hypertext story about the stories of Salome, and a wonderful rhythmic workflow for hypertext authoring.
Moreau
A series of paintings of beautiful women, culminating in a large work featuring hundreds of female figures. The artist had one thing on his mind.
He had 11 paintings shown at the Exposition Universelle in Paris, in 1878, following which he was commissioned to paint over 60 watercolours.
From the 1870s, Salome became the central figure in the story, and increasingly became the femme fatale: beautiful, sexy, and dangerous to know.
Clarifying different types of web link, making custom badges, and using the Timeline to explore the origin of a new version of a story.
Some paintings which may not show the traditional story from the gospels, but which don’t contradict it.
Salome has become a femme fatale, the author of John the Baptist’s death, and a potent erotic symbol. But that was not the original story.
His time in Munich concluded with his first great painting, inspired by Wilde’s play, which was in turn inspired by Moreau’s paintings of Salome.
Two paintings showing Salome. In one, she dances for Herod, and asks for the head of John the Baptist. In the other, she tries to stare out the severed head.
A look back at some of the series and some surprises which you might have missed over the last year.
The Eclectic Light Company 