For once the name is accurate: it originated in the Prussian Empire around 1704, and by 1730 had established itself as a standard if not entirely reliable pigment. Watteau, Canaletto, Hogarth, Blake, Monet, and van Gogh all used it.
Monet
1882 was a remarkably productive year for him, with a succession of major works, including landscapes, and Naturalist paintings which were dominant long after his death.
Used since Roman times, it was common in the dress of saints. Highly toxic, it was progressively replaced by cadmium red in the late 19th century.
Introduced in about 1806, it was used by Turner, Friedrich, Delacroix, Corot, the Pre-Raphaelites, the Impressionists, and many others. With examples of those works.
In the past, people have accepted the reality of mythical creatures, such as winged angels, unicorns, and dragons. When did we start being more objective in our belief of what we see?
A portrait of a lasting friend and patron, drawings of the female form, and some strangely restrained landscapes from summer holidays. His style evolves.
His style became very Impressionist. Then, when painting outdoors at Portici, Naples, he contracted malaria and died.
Where did Vernet, Cotman, Turner, Boudin, Gauguin, Monet, Sickert, Pissarro and Loiseau all visit and paint?
Classically trained, he started painting the dramatic coasts which had been formative motifs for Claude Monet in 1886: the storm seas and rugged rocks of Brittany.
Paintings of trees in their magnificent autumn colours by Millais, Inness, Monet, Homer, Pissarro, Tom Thomson, Paul Nash, and more.
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