Figures in landscape paintings don’t normally stand with their back to the viewer. How the Rückenfigur came to the paintings of Caspar David Friedrich and his pupil Carus.
landscape
Bierstadt, who went west to the Rocky Mountains with surveyors, the former Surveyor General of New Zealand, and the greatest expeditionary botanical painter, Marianne North.
The Grand Tour traditionally took young gentry through the Alps, where they could buy paintings of its sublime peaks.
Wetlands in Ukraine, Denmark, on Teufelsmoor in Lower Saxony, south of Budapest, and along the coast of Sweden with Bruno Liljefors and others.
A plain near Dresden, the floodplains of Silesia, Backwaters in Essex, York Harbour on the coast of Maine, the Pontic Steppe, Skagen in Denmark, and more.
Burke’s sublime became attractive to some in the late 18th century. They took to the mountains, to record high peaks and narrow gorges in paintings. First of a new series.
From herons flying above the fields and rivers, to the bustling streets of Paris and New York. Then taking to the air among the clouds of war.
Long before any person took to the air, artists were already imagining World Views of major land battles and the countryside around them.
Landscapes by those who visited Scotland, including Rosa Bonheur, Gustave Doré, Hans Gude, and plenty from England.
From Alexander Nasmyth in 1785 to Samuel Peploe and the Scottish Colourists of the early 20th century, the Highland and Islands painted by Scots artists.
The Eclectic Light Company 