Two unusual treatments of popular myths, an enigmatic series of the personification of Truth, two religious works, and a work that inspired Surrealists in the 20th century.
Impressionism
Tulips to mark a stock market crash and recession, David’s lust for Bathsheba, his work as a sculptor, Pygmalion and Galatea, and a summary of his career.
First in a new series to celebrate the bicentenary of one of the major French painters of the second half of the 19th century. Early career as a Neo-Greek.
One of few painters of the Barbizon School outside France, he painted portraits of the Boston Brahmins, an early baseball game, and Niagara Falls.
From 1890, he painted views of Paris in increasingly loose style. Recognised internationally, he served on the jury for the Carnegie, and competed at the 1912 Olympics.
Initially a social realist, he painted those on the edge of Paris society, including rag pickers and a garlic seller, but was rejected by Monet.
The forgotten French Impressionist Félix Cals, Neo-Impressionist Georges Seurat, and two former Nabis, Félix Vallotton and Édouard Vuillard also painted this coastal town.
Richard Parkes Bonington, Camille Corot, Eugène Boudin, Claude Monet and Johan Jongkind all painted this small town opposite Le Havre.
Trained under William Merritt Chase, and a friend of Puvis de Chavannes, she painted and collected in Paris for 40 years, and had a retrospective in the Louvre.
Starting with gentle Impressionism in Paris in the summer of 1885, he quickly became an eloquent Naturalist documenting contemporary Spain.
The Eclectic Light Company 