He continued to develop his style and technique in landscapes, with a remarkable lightness of touch, and figures shown as cutouts from their background.
Impressionism
His bathers and portraits remained very popular, with their soft focus. His landscapes remained more experimental, thankfully.
The Umbrellas, a portrait of Julie Manet, three landscapes painted alongside Paul Cézanne near Aix – some of the best paintings from these years.
Extensive travelling, from Venice to Algeria, brought a varied range of landscapes, as his portraits and figurative work paid the bills.
Some of his masterpieces: Bal du moulin de la Galette in Montmartre, Luncheon of the Boating Party, and an extraordinary landscape.
He created some of the most important Impressionist paintings during this period, at La Grenouillère, and painting with Monet and Sisley.
From early portraits of his mother, to wooded landscapes in the style of Corot. When Renoir painted alongside Sisley, Bazille and Monet.
Pissarro started a realist, became Impressionist, then Neo-Impressionist, before returning to human landscapes. Sisley ploughed the Impressionist furrow all the way.
Continuing to paint series of human landscapes, in his final years Pissarro was highly productive. Here are views of Dieppe and Paris.
They had luck in 1897, when funded to visit Britain. There he painted his swan song – 17 oils of the Welsh coast at Penarth and Langland Bay.
The Eclectic Light Company 