A celebration of painted dragons in European art, including Moreau, William Blake, Raphael, Tintoretto and others.
Not an illusion as such, it has been used to great effect by a wide range of painters from Mantegna to Munch.
The use of symbols in paintings from the Renaissance to the start of the nineteenth century, with van Eyck, Rubens, Girodet, and others.
Feet in social history, from Winslow Homer, Jules Bastien-Lepage, Jules Breton, Bonnard, Schiele, Degas, and others.
How Vertumnus tried to trick Pomona into loving him, then told her a threatening story. Neither worked: it was being himself that won her in the end.
An illustrated timeline and overview of how the human visual environment, and perception of it, has changed from ancient times to virtual reality.
We’re easily convinced of the reality of 2D images – as when early audiences panicked as the Lumières’ train ran at them in a movie. How has our exposure to pictures changed, though?
The mental images which we perceive are created in the brain, which has some fixed ideas about how to do that. They’re not the same as optical laws used in cameras and related devices.
Venus had been terrified of Adonis going hunting, and cautioned him about going near savage beasts. But he wasn’t to be put off. Superb paintings by Veronese, Titian, Rubens, and others.
The slaying of a dragon/serpent, and transformation of its teeth into warriors, make for five superb paintings spanning most of the story.