Following her flop in 1913, she painted seldom, but started travelling and painting again in the late 1920s. By 1930 she had established and international reputation.
Fauvism
In the summer of 1912 she travelled north to paint First Nations peoples, and returned to exhibit 200 of her paintings in Vancouver in 1913.
Born in Victoria, British Columbia, she started painting First Nations totems in 1907, and decided to document them on the NW coast.
Having moved on from Divisionism, the chroma in his paintings rose to a peak by about 1918, after his retirement to the Côte d’Azur.
In the early 20th century, painters started using intense colours, often raw from the tube, and those shifted to give green flesh and blue horses.
She wasn’t a late developer at all: for over ten years her work was shunned. Then in 1924, this started to change, as did her painting.
In just a few years, she painted more than 200 works documenting the totems and villages of the First Nation peoples of the Pacific North-West.
Early paintings by this prolific and highly innovative painter who concentrated on totems of indigenous peoples of the Pacific North-west, and wonderful trees and forests.
In which he paints The Scream, shoots himself in the hand, exhibits The Frieze of Life, and paints some monumental works – in scale and intent.
In addition to painting one of the major Neo-Impressionist masterpieces showing poplar trees, he built a series of Post-Impressionist pines-beach-bathers of distinction.
The Eclectic Light Company 