Most famously painted by David, the murder of Marat in his bath in 1793 has featured in many paintings. How has its interpretation changed with changing politics and public opinion?
David
Ovid’s fictional letter made it clear how the legend of Phaon was absurd. Yet it has been painted repeatedly ever since.
Was she abducted, seduced, or seducer? Victim or whore? Ovid’s pair of letters between Helen and Paris raises questions which many artists have tried to tackle.
He was remarkably successful, a truly self-made artist, who rose from nothing to international renown. But did he ‘occasion a revolution in the art’?
Admiral Lord Nelson died in similar circumstances to General Wolfe – leading his force to victory, although here at sea in the Battle of Trafalgar. Cue for a ‘modern history painting’.
The ‘thousand ships’ of the Greek forces are gathered at Aulis, waiting for fair winds. A sign tells them how long the war against Troy will last, but they have to do something horrific first.
In the 8 years after painting the Death of Wolfe, he attempted a few more ‘modern history’ paintings, with varying success.
Classical history paintings are rarer than those of myth. Even fewer show the most anomalous of classical societies: the Spartans.
He painted a series of narratives drawn from the Bible and other sources, and 32 watercolours of ‘Passions’ over this period.
Niobe had seven sons and seven daughters, which must have made her better than Latona, who only had 2 children. Snag was, there were Apollo and Diana.
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