Two paintings of the martyrdom by stoning of Saint Stephen, one by Rembrandt, together with Gustave Doré’s fine engravings take us further up the mountain of Purgatory.
So into the first terrace of Purgatory proper, for those who suffered from pride. On up to the second, for the envious, whose eyelids are sewn shut.
As they can’t continue ascending Purgatory after dark, Dante and Virgil rest overnight in a valley with rulers. In the morning, Dante has been carried up to the gate into Purgatory itself.
The souls of those who delayed their repentance until shortly before death stay in Ante-purgatory for a whole lifetime. Among them is a virtuous wife who was murdered by her husband.
Dante and Virgil sail to the island-mountain of Purgatory, where they are met by Cato. They then start its ascent, illustrated by William Blake, Doré and others.
The very best paintings showing Dante’s journey through Hell, as described in his Inferno. William Blake, Corot, Doré, Koch, and more.
The final canto of the Inferno takes Dante to see Lucifer himself, after which Virgil guides him back to the surface of earth.
Count Ugolino was a leading and treacherous politician, who could only be trusted to betray others. He was left to die in prison of starvation.
From the fraudsters in the last rottenpocket of the eighth circle of Hell, they move on the ninth circle of the treacherous – a frozen lake. Paintings by Doré, Blake, Bouguereau, and Fuseli.
From thieves, Dante and Virgil move on to meet souls of those who had committed fraud, including Ulysses, a headless troubadour, and an alchemist.