An overview of reflections in landscape paintings by van Eyck, Dürer, Cuyp, Poussin, Claude Lorrain, Canaletto, and Claude-Joseph Vernet in 1771.
Canaletto
Leader’s Worcester, Constable’s several paintings of Salisbury, Canaletto’s Saint Paul’s in London, a Thanksgiving at St Paul’s, Bastien-Lepage and Le Sidaner.
The first modern synthetic pigment, from 1704. Adopted by Canaletto, Hogarth and many others since, and still offered in many paint ranges.
Sixteen views of the River Thames and Houses of Parliament, painted between 1745 and 2006, showing where they were painted from.
A small selection of favourites from its huge and eclectic collection, from Duccio in about 1310 to Joseph Wright of Derby and a gem from Thomas Jones.
Split a block of rock, craft your sculpture, break stones to dress the roads, be a blacksmith, sharpen your scythe, forge iron, or operate on a leg with your hammer.
From Bellini in 1496, through Canaletto, to JMW Turner in 1840, views of Piazza San Marco in Venice.
Completing this river cruise, from Canaletto’s view of Westminster, through a Frost Fair, to John Constable’s Headlight Castle.
Starting from Egyptian blue in ancient times, pigments preferred by painters for sky blue have changed repeatedly. Here’s a brief history.
Open daily from now until 25 September, it features 24 of the most wonderful paintings of Venice from the 1730s.
The Eclectic Light Company 