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Blake

Edvard Munch: A life in paintings 1910-1944

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Less well known outside Norway, later works include vast canvases for Oslo University, and many vibrant and vigorous paintings of nudes and landscapes.

April 27, 2017 General, Painting

Easter in Paintings: From Gethsemane to the Tomb

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A selection of paintings by Memling, Bosch, Blake, Tissot, Corinth, and others to mark Easter.

April 13, 2017 General, Life, Painting

Two Roads to Magical Landscapes: Paul Nash and Nikolai Astrup

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Their landscapes developed a magic distinctive to the artist. Only by direct comparison are their similarities and differences made clear.

March 20, 2017 General, Painting

Paul Nash: from ancient to surreal, 5 – 1943-1945

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His final series of Landscapes of the Moon and Aerial Flowers are among his most visionary, and refer to much of his previous work, and that of William Blake.

March 16, 2017 General, Painting

Paul Nash: from ancient to surreal, 3 – 1931-1938

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At the height of his surrealism, his paintings were inspired by found objects, Freud, and the megalithic monuments of Wessex.

March 8, 2017 General, Painting

Over the Rainbow: getting the colours right

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Rainbows are one of nature’s grand spectacles. How careful, then, have painters been to get their colours in the ‘right’ order?

March 4, 2017 General, Painting

Paul Nash: from ancient to surreal, 1 – to 1920

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Landscapes influenced by Blake and Palmer, then some of the strongest images of the First World War. The start of a remarkable career.

February 27, 2017 General, Painting

Landscapes of the Ancients: Samuel Palmer, etchings and sunsets

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He recovered some of his youthful vision in the 1860s, when he painted rich rustic views lit by the setting sun.

February 1, 2017 General, Painting

Landscapes of the Ancients: Samuel Palmer, Rome and Wales

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He started topographic paintings when he returned to London, and during his extended working honeymoon in Italy.

January 25, 2017 General, Painting

Landscapes of the Ancients: Samuel Palmer, early visions

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Largely self-taught, he was a precocious painter whose major works started when he was only 20. This covers his early work and time in Shoreham, to 1835.

January 18, 2017 General, Painting

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