Early in 1896, several artists who exhibited at the Salons set up a rival exhibition. The following year was the last of Péladan’s and his movements petered out by the twentieth century.
Aman-Jean
The apogee of the Symbolist Movement in France was run by its self-appointed high priest, Joséphin Péladan. A selection of paintings from its early years to 1894.
After 1900, most of his paintings were portraits of young women. Some seem to have been made in search of a suitable husband.
Friend of Georges Seurat, his paintings were overtly Symbolist in the late 19th century, featuring St Genevieve, Hesiod and a muse.
