Street scenes, wet roads, at night, café interiors, and busy railway stations in the dark – some of his best paintings.
Category Archive: Painting
Decidedly Post-Impressionist, his loose style and rough facture did not impress the critics at first. Painting a mixture of landscapes and scenes from the centre of Berlin, he was still looking for the right formula.
Scenes from literary sources including Faust, and Dante’s Inferno, then in the 1850 his style becomes less dark, with lucent colour.
Contemporary of Géricault and Delacroix, he had an interest in mediaeval history, and was intimately involved in politics, including the accession of King Louis-Philippe to the throne in 1830, and the Greek War of Independence.
Framing a landscape with a window forms a picture within a picture, and can reverse the traditional device of repoussoir.
Scenes from the early life of Christ, carefully referenced to those of the Passion to come, the Virgin Mary, and two other saintly Marys. His last major series.
Biography to the death of Darius the King of Persia, with superb paintings by Degas, Elisabetta Sirani, Altdorfer, Jan Brueghel the Elder, and more.
Paintings of eight well-known folk tales from around the world, including Sinbad the sailor, Queen Wanda, Ivan Tsarevich, William Tell, and Hiawatha.
The story of ‘The Hunchback of Notre Dame’ has become something of a modern legend. Here are some of the paintings made of its story, before it obsessed early filmmakers.
A prolific period in which he painted the life of Christ for the Scuola di San Rocco, the Gonzaga Cycle, and a smaller series of Venetian histories.
The Eclectic Light Company 