There are several uncanny parallels with the Impressionists, including the importance of the tache and plein air painting, early critical hostility followed later by acceptance, and of course the tragic deaths of Sernesi and Bazille in war.
This book looks at the type of painting which was central to Impressionism – the plein air landscape – and traces its development from inception by Desportes in the latter years of the seventeenth century, through the Barbizon School, to its peak in the late nineteenth century.
I am currently planning the following major articles and series for the coming three months: Macs and Technology […]
This final article summarises the importance of different cues to depth in painting.
A panorama is an image, usually broad in its extent, of landscape, and has seen extensive figurative application. What is remarkable is that it did not exist until 1789, and still thrives today.
Linear perspective is one of the most controversial topics in the theory of painting, and few issues about it are generally agreed.
Aerial perspective includes reduction in contrast, reduction in chroma, and colour shift towards ‘cooler’ i.e. more blue, colours. But it can be more complex.
This article summarises the information that I have now obtained from working through that catalogue raisoné, and includes new information on Pissarro’s series paintings.
Considers the role of texture and detail gradient, shading and shadow in the depiction of depth in paintings.
“Inventing Impressionism. Paul Durand-Ruel and the Modern Art Market” Edited by Sylvie Patrie; contributions by Anne Robbins, Christopher […]