Two painters whose visions were particularly clearly articulated, and contrasting: Caspar David Friedrich and Samuel Palmer.
vision
From the early years of landscape painting as a genre in its own right, artists have used it to depict the awe-inspiring but fascinating horrors of the sublime.
Because these landscape elements are constrained within the overall work, the artist has complete control over them, something reflected in their reading too. Such cameo landscapes are never awe-inspiring, but subjugate to the whole.
I am going to try getting inside the artistic imagination of important landscape painters, and discovering the vision that each had of the landscape. Here are some hors d’oeuvres.
