Paintings showing women spinning from around 1000 CE to the early 20th century, by Eakins, Tanner, Courbet, van Gogh, Breton, and others,
Gérôme’s ‘Ave Caesar’ was a visually stunning wide-angle spectacular, with its detailed reconstructions. Examined in the light of Claude, Girtin, Turner, and others.
It’s not a colour at all, say some, while the Impressionists wanted to banish it from the palette. But throughout the history of painting, the blackest black has remained vital.
Was she abducted, seduced, or seducer? Victim or whore? Ovid’s pair of letters between Helen and Paris raises questions which many artists have tried to tackle.
An unusual painting, all about faces, expressions, and hands.