The yolk of fresh hens’ eggs used as a binder for fine and thin brushstrokes, from about 1250-1500, and revived in 19th and 20th centuries.
Stokes
The harvest painted by Anna Ancher, Lhermitte, Adrian Stokes, Nikolai Astrup, John Linnell, Félix Vallotton, PS Krøyer, Gérôme, and others.
From the marble quarry at Carrara, through Alpine passes to Lake Garda, over to alligators near Miami, and scenes from the First World War in England.
A deer substituted for the sacrifice of Iphigenia, as companions for the sorceresses Medea and Circe, in Bonnard’s rural idyll, Rosa Bonheur’s wildlife portraits, and others.
Yellow for harvest at the end of the dry summer. Also mixed with blues and greens, although sometimes not proving lightfast.
The fairy tale of the Frog Prince, the fable of The Frogs who Demand a King, frogs at the Fall of Man, and dangling from a kite tail above Strasbourg.
This artist’s colony developed in the 1860s, and soon became popular with Americans studying in Paris. It attained fame with Paul Gauguin, who first visited in 1886.
The hills are alive with eagles, black grouse, sheep, highland cattle, deer, and even the occasional goat.
Paintings of alpine meadows, often used as summer grazing in the transhumance. Men from the lower valleys took their livestock up to the plateau to graze for the summer.
Wetlands in Ukraine, Denmark, on Teufelsmoor in Lower Saxony, south of Budapest, and along the coast of Sweden with Bruno Liljefors and others.
The Eclectic Light Company 