John Singer Sargent’s huge murals of classical myths, two last narrative paintings by Lovis Corinth, modern style in portraits by Anita Rée, and Oleksandra Ekster’s ‘Theatrical Composition’.
Sargent
How painting in oils in front of the motif became popular fifty years before paint became available in tubes, and how it was done by the experts.
Painting using a palette knife, by Courbet, Renoir and Anna Althea Hills. fingerpainting by Leonardi, and ling brushes in the hands of Whistler and Sorolla.
The three Furies appear on top of the gate to Dis, and try to turn Dante to stone using the face of Medusa. Once allowed in, they meet some of the heretics in their burning tombs.
Huge paintings using opaque watercolour paint, layered combinations of transparent and opaque, scratching out, wax resist and even grains of salt.
An umbrella Madonna, parasols of the nobility, in soirées on the beach, the rise of the white parasol and arrival of Japonisme, with Sargent and Sorolla, and in California.
His major commission of the First World War, ‘Gassed’, and final large masterpieces for the Museum of Fine Arts in Boston.
From the marble quarry at Carrara, through Alpine passes to Lake Garda, over to alligators near Miami, and scenes from the First World War in England.
After he had closed his portrait studio in 1907, travelling with friends, more watercolour views of Venice, and a look at some of his sophisticated techniques.
A portrait with unusual references, many bravura watercolours of Venice and his travels through the Alps on the way, and a short visit to North Africa.
The Eclectic Light Company 