Concluded with paintings from Willard Metcalf, Pierre Bonnard, JW Waterhouse, Nikolai Astrup, Paul Nash and others.
Rippl-Rónai
Trees in blossom from Sérusier, Bonnard, Waterhouse, van Rysselberghe, Nikolai Astrup and others.
From the city, through rolling fields and small villages, climbing gradually along valleys to reach rugged mountain passes.
More wonderful paintings from Pierre Bonnard, JW Waterhouse, Théo van Rysselberghe, Nikolai Astrup and others.
Nikolai Astrup, Lovis Corinth, Pierre Bonnard, Renoir, Alphonse Mucha, Édouard Vuillard, and others in an eclectic mixture of styles and schools.
Short summary of their history, art, and their role in the evolution of painting in the twentieth century, with copious links to articles here.
High-chroma, constructive strokes, realism typical of the mid-20th century, and ‘corn style’ using coalescent tiles of high-chroma paint – you couldn’t get further from being Nabi.
After 1895, their styles and themes diverged, with Japonisme popular, and motifs ranging from the streets of Paris to the great waves of the Brittany coast.
Never shown to the public in traditional paintings, a vital layer which goes between paint and the support. White, colour, chalk or oil.
Paul Gauguin inspired and launched the Nabis during the late 1880s at Pont-Aven. They first exhibited in 1889, and published their manifesto in 1890, by which time he had moved onto another project.
The Eclectic Light Company 