An overview of reflections in landscape paintings by van Eyck, Dürer, Cuyp, Poussin, Claude Lorrain, Canaletto, and Claude-Joseph Vernet in 1771.
reflections
Introduction to the geometry of reflections on water, and a composite image to aid their analysis. How Turner altered some of the reflections he painted.
Unusual self-portraits painted using mirrors by Courbet, Corinth, Bonnard, Gentileschi, Peeters, and Velázquez.
New series describing and illustrating how reflections have been painted in European and American art, from the early Renaissance to the 20th century.
Hodler’s Parallelist paintings, and more than 30 of the paintings of Paul Cézanne depart from the basic optical principles of reflections. Why?
Optical principles are straightforward, but can become extremely complex in practice. Examples from Jan van Eyck to Hodler and Signac.
Before photography, the only opportunity to see your face, painters took advantage of the Venus Effect to break optical rules and show faces that couldn’t have been seen in the mirror.
The hard road to realism: development and propagation of knowledge, how to apply it in paintings, and its benefit on visual art.
An unusual pastel, a couple of fine nocturnes, then some reflections of figures from Caravaggio and Bonnard, concluded by coy self-portraits.
Reflections seen in landscapes from Dürer’s pioneering watercolour, through Poussin and Turner to Monet, Sisley and Neo-Impressionists.
The Eclectic Light Company 