Is it feasible to paint optically accurate reflections quickly in front of the motif? Examples from CamilleCorot, Claude Monet and Alfred Sisley demonstrate that it is.
reflections
Increasingly challenging reflections by Caillebotte, Martin Rico, Normann in the Norwegian fjords, specialist Frits Thaulow, and an essay in optics by Kazimierz Sichulski.
Accurate when on his home ground, Constable appears to have altered reflections for effect. Turner even more so, with frequent vertical exaggeration, but wonderful effects.
An overview of reflections in landscape paintings by van Eyck, Dürer, Cuyp, Poussin, Claude Lorrain, Canaletto, and Claude-Joseph Vernet in 1771.
Introduction to the geometry of reflections on water, and a composite image to aid their analysis. How Turner altered some of the reflections he painted.
Unusual self-portraits painted using mirrors by Courbet, Corinth, Bonnard, Gentileschi, Peeters, and Velázquez.
New series describing and illustrating how reflections have been painted in European and American art, from the early Renaissance to the 20th century.
Hodler’s Parallelist paintings, and more than 30 of the paintings of Paul Cézanne depart from the basic optical principles of reflections. Why?
Optical principles are straightforward, but can become extremely complex in practice. Examples from Jan van Eyck to Hodler and Signac.
Before photography, the only opportunity to see your face, painters took advantage of the Venus Effect to break optical rules and show faces that couldn’t have been seen in the mirror.
The Eclectic Light Company 