The goddess Ceres, The Last Supper, and the supper at Emmaus, Easter Sunday bread in Ukraine, bread as charity and the daily bread.
Pymonenko
Cutting the grain crop, in paintings by Pieter Brueghel the Elder, Samuel Palmer, John Linnell, Jean-François Millet, Volodymyr Orlovsky, Mykola Pymonenko and others.
Paintings from the end of the 19th century into the 20th, by Pymonenko, Murashko, Malevich, Bohomazov, Boichuk, Ekster and others.
Ploughing, sowing, weeding, calving and lambing, the hay harvest, sheep shearing, the grain harvest, fruit harvests, then back again to the start.
Mow the grass, scatter it about, gather it in windrows, cock it, scatter then windrow it again, until it’s dry and ready to stack. How to make hay the hard way.
Was ripe wheat cut using a sickle, hook, or scythe? Paintings from 1565 to 1890 show a preference for scythes when men were available.
Yellow for harvest at the end of the dry summer. Also mixed with blues and greens, although sometimes not proving lightfast.
An early Rembrandt, chiaroscuro lighting, one of Adam Elsheimer’s oil on copper paintings, above Frederick the Great, and adorning Goya’s painting hat.
A personal choice of ten of the most wonderful paintings by artists from Ukraine, selected from the 8-month series of articles published here last year.
From its origin in portraiture, through to experiments by Renoir, and many oil paintings by Anders Zorn, control over edges can be highly effective.
The Eclectic Light Company 