Zeus comes up with a plan to reduce the number of mortals, and completes one of the first two steps, marrying Thetis to a mortal. And what a wedding feast, thanks to Eris.
Poussin
The myth of Deucalion and Pyrrha, and others, painted by Rubens, Poussin, John Martin, and real floods by Alfred Sisley.
Motion can be implied against the rules we learn about how the world works. It can also be shown in billowing garments.
Transformations of Chloris into Flora, Daphne into a laurel tree, and Actaeon into a stag which is promptly killed by his own hunting dogs.
The popular story of the Judgement of Solomon is a great challenge for visual art. Here are some of the better attempts at solution, from Raphael to Blake.
One of the greatest British narrative painters of the 19th century, a small selection of his best from Eris picking a golden apple in 1806 to the slaveship of 1840.
A Roman hero, intended to be consul, is banished because he wouldn’t get on with common people. When he can defeat Rome, who can stop him?
Reflections seen in landscapes from Dürer’s pioneering watercolour, through Poussin and Turner to Monet, Sisley and Neo-Impressionists.
Snakes and serpents in myth, legend and religion are thoroughly sinister and bad, with one curious exception. A journey across centuries of images.
Paul Bail left Antwerp, taught Tassi in Rome, who in turn taught Claude Lorrain. Claude-Joseph Vernet learned in Rome, then advised Valenciennes, and so French landscape painting came home.
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