Second and concluding article, including paintings by van Gogh, Chase, Monet, Pissarro, CĂ©zanne and others.
Pissarro
Paintings of the quais of Paris from Bonington in 1819, through Impressionism to the Divisionism of Signac and Maximilien Luce.
From Velázquez’s pioneering sketches of 1630, through Valenciennes in 1780, to Constable, Corot, and Pissarro, Manet and John Singer Sargent in the late 19th century.
Into the 20th century, fog became a popular compositional device. Examples from Monet, Pissarro, Vallotton, Hodler and others.
Introduced to European painting by JMW Turner and Caspar David Friedrich, fog effects became popular in the later nineteenth century.
Paul CĂ©zanne led the way in Aix-en-Provence, followed rapidly by Renoir, Signac, Cross, Luce, van Rysselberghe, and Pierre Bonnard.
Some of the many major works from the 19th century, from Caspar David Friedrich, through Turner and Constable, to Paul CĂ©zanne, and van Gogh’s sunflowers.
From the snowy landscape of Brueghel’s Hunters to Monet’s Magpie, with Pissarro, Signac, Caillebotte and others.
Repoussoir through windows, doors, then invading the middle of the painting with Corot and Pissarro, before CĂ©zanne inverted it altogether.
Landscape paintings by Daubigny, Sisley, Berkos, Astrup, Pissarro, Julian Onderdonk, Granville Redmond, Théo van Rysselberghe and others.
The Eclectic Light Company 